R & P: Film Title Ideas

- Themes
- Fight For Life
- Redemption
- Repent
- Rapture.

I got this idea from a song i rather like. Its a song which meaning  is about 'staring the devil right in the eyes... and knowing, no matter what the hell you do, he'll get the last laugh...and it's real...and true. The devil really will get the last laugh in all cases without exception, and if I let myself think about that to long' - This theme relates to our film as Butcher Pete (EJ) character can be very representative of the in escapeable devil and how we see the film of the point of view of Suicidal Micheal (Chris) who is on the run from him.

I Also thought of the theme of being caught doing something, like Suicidal Micheal has been caught doing, cheating deals. I thought about saying around causing trouble i thought Red Handed, This promotes many themes: Danger, Being Caught, Punishment and the colour red brings about the theme of blood for me, so it seemed fitting.

Audience Research - Questionare

 

How old are you?
under 10
10-14  
15-19 
20-24  
25-29  
30-34  
35-39
40 or over

What film Genre do you generally like?
Action
Romance
Comedy
Adventure
Sci -Fi
Fantasy
Horror
Other (please specify)

What is your favourite time period that movies are set in?
Present
80s-90
60s-70s
40s or before
Future
No preference

How often do you generally watch films?
More than once a week
Once a week
More than once a Fortnight
Once a fortnight
More than once a month
Once a month
More than once a year
Once a year or less

Have you ever seen a gangster film?
Yes
No

What is your view on gangster films?
Very good
Good
OK
Bad
Very Bad

What catches your eye in the first 2 minutes of a film?



is there anything that may be in the first 2 minutes of a film that may deter you from watching the rest of it?

R & P: Camera Shot Types

  

A cutaway is a shot that's usually of something other than the current action. It could be a different subject (eg. this cat when the main subject is its owner), a close up of a different part of the subject (eg. the subject's hands), or just about anything else.
The cutaway is used as a "buffer" between shots (to help the editing process), or to add interest/information.

Like a cutaway, but specifically refers to showing some part of the subject in detail.

Can be used purely as an edit point, or to emphasise emotion etc. For example, hand movements can show enthusiasm, agitation, nervousness, etc.

In the extreme wide shot, the view is so far from the subject that s/he isn't even visible. The point of this shot is to show the subject's surroundings.
The EWS is often used as an "establishing shot" - the first shot of a new scene, designed to show the audience where the action is taking place.
It is also useful in scenes where the action is very spread out. For example, in a war movie an extreme wide shot can show the scale of the action.
The EWS is also known as an extra long shot or extreme long shot (acronym XLS)
.
The very wide shot is much closer to the subject than an extreme wide shot, but still much further away than a wide shot. The subject is visible here but only just (in this case it's a boy leaning against the fence). The emphasis is very much on placing him in his environment.
This often works as an establishing shot, in which the audience is shown the whole setting so they can orient themselves.
The VWS also allows plenty of room for action to take place, or for multiple subjects to appear on scre


In the wide shot, the subject takes up the full frame. In this case, the boy's feet are almost at the bottom of frame and his head is almost at the top. Obviously the subject doesn't take up the whole width and height of the frame, since this is as close as we can get without losing any part of him. The small amount of room above and below the subject can be thought of as safety room — you don't want to be cutting the top of the head off. It would also look uncomfortable if his feet and head were exactly at the top and bottom of frame.
As with many shot types, the wide shot means different things to different people. However the wide shot seems to suffer more from varying interpretations than other types. Many people take the WS to mean something much wider than our example, i.e. what we would call a very wide shot.

The mid shot shows some part of the subject in more detail, whilst still showing enough for the audience to feel as if they were looking at the whole subject. In fact, this is an approximation of how you would see a person "in the flesh" if you were having a casual conversation. You wouldn't be paying any attention to their lower body, so that part of the picture is unnecessary.
The MS is appropriate when the subject is speaking without too much emotion or intense concentration. It also works well when the intent is to deliver information, which is why it is frequently used by television news presenters. You will often see a story begin with a MS of the reporter (providing information), followed by closer shots of interview subjects (providing reactions and emotion).
As well as being a comfortable, emotionally neutral shot, the mid shot allows room for hand gestures and a bit of movement.

The medium closeup is half way between a mid shot and a close up. This shot shows the face more clearly, without getting uncomfortably close.

 

 

 

In the closeup shot, a certain feature or part of the subject takes up most of the frame. A close up of a person usually means a close up of their face (unless specified otherwise).

Close-ups are obviously useful for showing detail and can also be used as a cut-in.
A close-up of a person emphasizes their emotional state. Whereas a mid-shot or wide-shot is more appropriate for delivering facts and general information, a close-up exaggerates facial expressions which convey emotion. The viewer is drawn into the subject's personal space and shares their feelings.
A variation is the chocker shot which is typically framed on the subject's face from above the eyebrows to below the mouth.




The ECU (also known as XCU) gets right in and shows extreme detail.
You would normally need a specific reason to get this close. It is too close to show general reactions or emotion except in very dramatic scenes.
A variation of this shot is the choker.


choker

Costume Research

Mob Henchmen (Will, Me) -

Mob Boss (EJ) -

Druggy Victim (Chis) -

R&P: Film Institution Research

Soundtrack idea

I was listening to this song, and thought it would be a perfect, thing to go with the film. it would make the boss leaders seem that extra bit 'badass' (especially the harmonica part) and put that ironic twist on the film which many gangster films have. I can picture christ running to not music and just sound effect of footprints and then we come in following him to the music. I think this would work really well, particulary if we film it in black and white to give it that old feel which we are trying to achieve.

Film Title Ideas

Snatch

 The opening of Anatch begins with the camera looking at cctv monitor, showing the characters walking though a secure area discuised as jewish people, this give the impression that the characters are harmless, wich makes the audience react more when they discover that they are infact gangsters with the intention to rob the bank. The stereotype that jews are peacfull people really emphasises the sudden change when they pull out the guns. The credits are rolling during the opening, making the opening flow better than if the opening credits where on there own. The music in the background also conforms to the jewish stereo type, making the audience un awair of the fact that the gangesters are discused as jewish people. The diagetic sound of the chacaters talking also provdes a false sense of security, as the speach provide no indication of the robbery that is about to unfold.

Film Certificates.

	Universal	Suitable for all
	Parental Guidance	General viewing, but some scenes may be unsuitable for young children
	12 Accompanied/Advisory	Suitable for those aged 12 and older (cinema only); under 12s admitted, but only if accompanied by an adult
	12	Suitable for those aged 12 and older (VHS and DVD only)
	15	Suitable for those aged 15 and older
	18	Suitable for those aged 18 and older
	Restricted 18	Restricted to those aged 18 and older and only available at licensed cinemas and sex shop The latter will not require a licence to sell R18 films.

Soundtrack Ideas

In alot of films in our genre, alot of trip hop is used, which is basically slow electric. I thought this song would be good its a traditional song of this genre, the only problem of thes would be copyright, i can scour the internet to find a kareoke version which would not be copyrighted, this may take come time. However it can be any genre it just needs to be a slow one. Its it wouyld fit in and capture the emotion of the man being killed. This slow acoutsic song would also be effective, either this or we could compose our own song.

Drive

THRILLERS
Drive is a film about a man who is a very talented driver, to the point its all he know how to do. He gets involved with gangs trying to break his friends husbands contract.

This Thriller is one of the best I've seen in a long while. It uses tense moments to spur the viewer on to find out what happens later on. it invlolves un expected twists and intriguing scenes. It also uses the main character as a main interest to the viewers as hes very strange. We see the film from his perspective but we know nothing about him. this makes us watch on. The main character is seen as socially awkward and almost like a kid in a mans body who is unsure of the world, or so he appears. This intrigues the viewers to find out more about him.

In this scene we see a tense getaway scene, that fits in well for an opening scene. typicall of thrillers we start of in what seem like an un related scene, to almost just show you what the film is about but also not give anything away about the story line. just to set the veiwer up for the main storyline, which seems quite effective to me. This scene creates tension by trying not to be found out smarting the enemy, and then nearly being on the brink of being found, them racing away and then hiding.

Drive Audience Profile

Age:	%:	Gender:	%:	Class	%:

	4-6	0%	Male:	77%	AB	24%

	7-11	0%	Female:	23%	C1	22%

	12-14	0%			C2	29%

	15-24	40%			DE	25%

	25-34	38%

	35-44	13%

	45+	9%